To Be or Not to Be a Memoirist (When Truth Is Stranger Than Fiction)

My name is Valley Haggard and I am writing a memoir.

There, I said it. But rest assured, that statement is offered up with a cringe, an apology and enough explanations to assure you that I'm not just like every other self-indulgent narcissist out there editing their over-wrought diary entries from high school. Except that well, I am, a little.

See, once upon a time I wrote fiction. But then weird, interesting, fascinating, tragic, life-changing things started happening to me. You know- crazy shit like falling in love, getting my heart squished, traveling around---essentially the same stuff that happened to everybody who couldn't find a good job after college. I've just never been able to shake these experiences loose when it's time to sit down to write a "story." Even if I get as far as inventing a gutsy heroine utterly unlike myself, suddenly out pops the buffalo head I saw sitting on a picnic table in Arkansas. Or the remains of Hooker, the first horse I ever rode, rotting out in a clearing in the Flat Tops Wilderness Area. Certain images have been so burned into my consciousness that they have overridden every other thing I've tried to write about for any sustained period of time. So while I dabble around the blurry lines of creative nonfiction, I have to tell the truth, ugly as it may be. I am writing a memoir.

My mother, for one, would prefer I wrote a novel. So, perhaps, would everyone else in my book who makes more than a cameo. But other than borrowing certain devices- like plot and dialogue- from the world of fiction- I just don't see what there is to be gained from changing the story. Avoiding lawsuits? Bah. What's the fun in that? Maybe my imagination jumped ship somewhere in Alaska, but I think it's more likely that I've made the full conversion to become a devoted handmaiden to the belief that Truth Is Stranger Than Fiction.

But it's not as easy as typing up my journals or scribbling down what I think you said. At this year's James River Writer's Conference one of the top New York agents said- to roughly paraphrase- that by and large memoirs fall into 2 categories: those by the already famous with huge, exciting lives that can't write for shit OR beautifully written, lyrical memoirs by nobodies about absolutely nothing at all. The trick, my friends, is to strike the balance.

In the interest of full disclosure, I admit that I love reading memoirs. It is a bit of a guilty pleasure because I always feel like I should be reading Moby Dick or Gravity's Rainbow, but please. What I haven't read (or finished reading) is an entire confession unto itself that I'll submit to Saint Peter at the Pearly Gates.

Memoirists who can ride the seesaw of a thrilling life captured by perfect words are the writers to whom I am currently offering virgin sacrifices. One such is Jeannette Walls, whose books I've gobbled up and who I would definitely select as my one allotted companion on a desert island- or Welch, West Virginia- wherever I happened to be stranded. I have had the pleasure of interviewing Jeannette at her rural Virginia farmhouse twice- once in 2006 after the publication of her international bestselling memoir, "The Glass Castle" and more recently- this past September for "Half Broke Horses: A True Life Novel" about her spitfire maternal Grandma, Lily Smith. And Jeannette- one of the kindest, toughest, smartest, bravest women I've had the honor of knowing- is far from apologetic about whatever it is she chooses to write.

So, after much agonizing, I've (mostly) come to terms with the fact that I'm writing a fucking memoir. And I've managed to get one chapter smack in the middle of it, Mountain Baby, published by the Writers' Dojo out of Portland, Oregon. It is just one chapter and it is just online but please, humor me while I pretend I won a Pulitzer this year, OK? The rewards of spending so much "free time" in tortured introspective life-revisions are few and far between so I must insist on eeking out this small glory long enough to get me through the next chapter.

The Right Book at the Wrong Time: A Deviant History of Reading

I have never owned one of those decorative fabric bookcovers meant to hide trashy Harlequin romances, poolside. But still, whether I like it or not, the books I read say as much about my state of mind as a temporary tattoo.

Before I discovered the joys of sneaking out in the middle of the night, I broke bad by reading "Mad Magazine" under the covers with a flashlight long after Lights Out. My mother claims this is why I'm near-sighted now, but I don't care. It was worth it.

In elementary school I blew through a few books a week when I should have been learning something about sports. Or math. Or how to get along with The Republicans.

In high school my friends and I wrote the equivalent of 12 epistolary novels each semester. I read other books too, but literature during that time consisted of decoupaging the bloodied shards of my heart into a spiral bound notebook, passing it off to friends in the hall and then white-knuckling it through Chemistry to read their replies.

Although I took a heavy load of literature classes in college, I got the most pleasure from checking out unwieldy stacks of unassigned books and stashing them by my bed to read with a stolen bit of cheese and box o' wine. I was really pulling a fast one on my professors by sneaking Rilke, Hesse, Nabokov and Rimbaud while Tolstoy, Babel and Sophocles waited patiently for me on the sidelines.

During my 4th or 5th restaurant job after graduating, a waitress-colleague and I passed trashy dating advice books wrapped in brown paper bags back and forth to each other at the cash register- like they were pistols or a pound of weed! We could not risk letting our boyfriends (or the guys on the deck eating tuna melts) know what the hell made us so beguiling.

It seems that around the time of my wedding I was on a book starvation diet and that is why, irrationally, on my honeymoon, I took up basketweaving. A venture into crafts that I repeatedly forced into other venues: stained glass, crotchet, scrapbooking.... all with the same tragic end. Now I leave crafting to the crafty and keep my nose where it belongs, in a book.

I started reading again, in earnest, after I had my son. I read all of the ironic, literary parenting books I could get my hands on--Operating Instructions, Inconsolable: How I Threw My Mental Health Out With the Diapers, etc. They were my lifeline out of the diapers and the boppies.

And then, in the midst of learning how to live with a monkey on my back, I was asked to put together a few cogent thoughts about the books I was reading. Reconciling thinking and parenting was a challenge, and as I struggled not to lactate on the books that I inevitably rolled over in bed, the likes of Breath and Bones and Whores on the Hill breathed life back into my milk-addled brain. Thank God. Not thinking beyond the realm of the mall play area would have done me in.

Untrained as a journalist, but writing for a paper, I clung to certain memoirs by certain writers that schooled me more than any copy editing class at any community college. I laughed my ass off through Nerd Girl Rocks Paradise City: A True Story of Faking it in Hair Metal L.A. and But Enough About Me: A Jersey Girl's Unlikely Adventures Among the Absurdly Famous, praying to one day write my own journalistic tell-all. Or at least pass myself off as a journalist until things got good.

You know how you find some books and some books find you? I was working at a local children's hot spot when I called up my old editor from a locked bathroom stall to see if he might have any extra work lying around. He happened to mention "I Was a Teenage Dominatrix" and I haven't found myself mixing primary colors in an apron ever since.

Lately, Bad Valley has been choosing 9 out of 1o of the books by my bed. She never finishes the dull books and skips straight to the end of the good ones. Yes, my husband has mentioned that he preferred finding "Open: Love, Life & Sex in an Open Marriage" under my pillow on our 7th anniversary to "Ask Me About My Divorce: Women Open Up About Moving On" on the occasion of our 8th. But it's my job to read everything, right? Of course it is.

Still, I felt like I was sharing a secret with my librarian this spring when I checked out "Loose Girl: A Memoir of Promiscuity" alongside Clifford's Birthday Party and Shel Silverstein's "Falling Up."

Not that staying in bed for two and a half days straight to read "The Bell Jar" bodes that well either.

And, really, there's something not right about me reading "Hos, Hookers, Call Girls & Rent Boys: Professionals Writing on Life, Love, Money and Sex," right now in the midst of this economic turndown. Because it seems that writing about life pays a lot less than living it.

I know what Azar Nafisi, author of "Reading Lolita in Tehran," meant when I interviewed her on the phone: "Reading is the one place we can allow ourselves to be promiscuous." But in these desperate times writing about reading about being promiscuous seems a necessary measure, too.

Words are my weakness. And cowgirls. And olives.

I've always loved words. I was labeled a "creative speller" in elementary school but that hardly thwarted my ambitions. At seven, I told my mother that when I grew up I was going to be a famous reader. She, in turn, forced me out of the house on a semi-regular basis to get sunlight and fresh air since left to my own devices I read from the school bus to the bed, and beyond, a flashlight pressed to the pages. My mother is an artist and I remember violently disagreeing with her in an art class she taught once at my summer camp. No, a picture is NOT worth a thousand words. To me, each word is worth a thousand pictures. Take maps for example. For me, they only increase the inherent mystery of geography. I interpret left and right in more of a liquid than a solid state. If I'm driving and it is time to turn, please shout "MY SIDE" or "YOUR SIDE" as left and right, for me are apt to morph without warning. My father, a master carpenter and by proxy an architect, once kindly suggested that perhaps I have a term he coined just for me: "spatial relations dyslexia." And yes, that resonates. And applies to music. If a song has bad lyrics, forget it. If it has no lyrics- as in the whole world of classical music, jazz, new age- whatever- then it is as if I am a plant in a cave listening through a glass with earmuffs. Actually, my plants seem to get more out of classical music than me, a fact I proved in an 8th grade science experiment.

Luckily though, the gods are benevolant and when I shipped off to a fancy NY college in 1993, they roomed me next to a blonde-headed angel with a sense of direction big enough for the both of us. And in this case, "sense of direction" applied to more than how the hell do you get to the train station. Jenne always seemed to know where she was going and how to get there. If she didn't yet, she would soon. She took internships, participated in school activities, took advantage of the vast opportunities offered to those motivationally inclined. I, meanwhile designed a major in Heartbreak and Whiskey with a minor in Creative Writing, really excelling at it, as much as one can with that sort of thing.

One summer back home in Denver, Jenne found a want-ad for a wrangler at a remote ranch in the Flat Tops Wilderness Area. "I called Jack and Elaine 37 times," she said, "and they finally agreed to meet me at Denny's where they offered me a waitressing job."

"I didn't call to be a waitress," she told them. "I called to be a wrangler." You can just imagine the paradigm shift that blew their brains as they finally agreed to let Jenne be the first female wrangler in the history of Budge's White River Resort. That summer she wrangled the shit out of some horses, kicked ass and took prisoners (mainly smitten cowboys). I went to visit her and on the second full day she led me up and down a mountain and through a valley with a couple of horses and a pack of mules. That night, after 8 hours on my first ever horse, drinking whiskey in a lodge full of hard-ass wrangler types, I threw up into my own hand. And the next summer, I went back to work at Budge's as a waitress, only my official title was "Cabin Girl."

After that, Jenne went on to hitchhike from one end of South America to the other, selling macrame and crotched hats, purses and bikinis to pay her way. Down South, she ran a bed and breakfast (although she said it was more of a breakfast and hammock), befriended an alcoholic monkey and was a street mime, although this is a grotesquely short list of her many and sundry adventures.

She is the kind of friend I expect to drink coffee with in my late 90's after all of our boyfriends and husbands are dead. Sometime in college, I named her my North Star because no matter how long it's been since I've seen her or how far apart we are, the thought of her face instills in me a sense of the right place to go.

This past weekend I saw Jenne for the first time in 7 years. She flew from Portland (where she is a third grade bilingual teacher, Lewis and Clark college professor and Flamenco dancer)to Boston, where she rented a car for an East Coast tour. At my dad's ex-alpaca farm out in the country we indulged in 24 blissful hours of old records (with good lyrics), long sunset bedazzled walks, river wading, candles, mozzarella, chocolate, salmon, basil and big, fat Kalamata olives that we ate like candy.

Tomorrow she and I are getting up early and driving to New York. I have not been there for 11 years and will do my best to spend 72 hours making up for it. We will take turns driving. I hope to trust my sense of direction, but God knows who will hold the map.

Subterranean Protozoa, Reincarnation & Hope

Ever since landing a repeat role as the drummer in our subdivision's Madonna cover band the summer after fourth grade, I've had a hangup around the idea of being famous. Because life is meaningless if your face isn't plastered in gloss on someone else's bedroom wall. Right?

As a more mature adult, it's been my belief in reincarnation that's helped me reconcile the fact that my name is conspicuously absent from Oprah's bestseller list. I have multiple lifetimes to achieve greatness! My soul has been pretty busy building pyramids, schlepping water in pails out of rivers and rubbing elbows with the Queen. Maybe more than that- I'm not sure- the latest Facebook quiz assures me I'm 88% gay, not big news to my husband THIS lifetime. So after receiving several lovely rejection letters from my first-ever national magazines queries (my fave came from Men's Vogue, which I didn't know existed 10 minutes before I sent them a typed up shard of my latest adventure query-style. Turns out they don't. "Sounds like a good idea, but Men's Vogue is no longer," wrote the editor), I've decided THAT article is just another chapter for the memoir. Which thus far exists 50% as a huge unwieldy mess on my hard drive, 10% in the journal that VANISHED from the face of the earth last month, 7% in my witty, comprehensive, beautifully crafted status updates that disappear into the ether of nowhere land and 33% in my repressed subconscious.

Regardless, I seek out my place on the food chain of literary fame and find myself subterranean protozoa, again and again. And then there's always this perspective offered by my good friend and the oft-published author, Eliezer Sobel last November at the Jewish Book Fair. "How's your book coming?" he asked.

"Miserably," I said. "I'll never get published."

"Well, hurry up and get published so you can be miserable AND published like the rest of us," he said.

So last week, plodding through the unsung joys of domestication peppered with a few rare and erotic moments of inspiration, I organized a panel for a local nonprofit on playwriting and screenwriting. You might say I joined the nonprofit so I could borrow someone else's budget to organize such panels, carting in my handful of wildly successful friends from around the country to the capitol of the South just so I can hear them talk.

Of course prior to the panel, I was most concerned with what to wear. After amassing a pile of unsightlys on the sagging mattress, I headed to the local Exxon to vacuum out the inch of dirt, twigs and volcanic sediment encrusting the bottom of my car before driving to the airport to pick up my good friend Bryan, creator of The Philocetes Project. Handing me change for a dollar, the curly-haired Hispanic woman behind the counter said, "Hey, I see you the last Thursday of every month!" I quickly scanned my memory for all of the various cults I attend regularly but came up blank. "You know, The Writing Show!" she said, introducing herself by way of her name plate, "HOPE." "I started going last October."

"No kidding!" I said. "I hope you can come tonight- it's gonna be a good one."

"I'll try," she said. "But it's the end of the month and there are a lot of inspections to get through."

Right then and there I felt more famous than God. Someone recognized me at the GAS STATION!! My whole attitude and outlook on life changed. When I saw Hope later that night in the front row of the audience splendid in a lavender v-neck, I gave her a huge hug and introduced her to the panel.

So for today, fame may not be what I'm after, after all. As I write this, I'm reminded that for a while there in '98, aspects of my life on the farm in Arkansas paralleled Monica Lewinski's and I never envied her press package one bit.

When I had my identity crisis back in January, I quit my job as Book Editor over at our local rag, and tried half-heartedly to find a full time job. Thank God I didn't. Even the part time job I had was so painful that on the 5th day I called my editor from the bathroom and begged him to let me write something. Just, you know, ANYTHING that didn't require wearing an apron and punching a time clock. Luckily he had a fun little press release about the author of "I Was A Teenage Dominatrix" sitting on his desk. I was in.

[Editorial aside: Ladies, if you have even the remotest desire for ex-boyfriends or other unruly specimens to ring you up I suggest you write an article about a dominatrix too. What are you waiting for? Get on it!]

After that, I essentially continued interviewing authors and writing about books. People kept sending them to me! Events kept happening! I couldn't say no. I didn't want to say no. And knowing the intense amount of sorting, labeling, reading and hysterical laughter required to run the Fiction Contest, I offered to help with that too. In the end, I ran it. For the 5th consecutive year. And I loved it just as much as I ever had. Around a smoky bar after the winners had been awarded, read and gone home I had a heart to heart with my editor, who is very inconsiderately moving to California in July.

I want you to have something regular here, he said, so it won't confuse my successor.
OK, I said. I'll be the book editor again.
Good, he said.
You never gave it away, I said.
I knew you'd be back, he said. A good editor knows you better than you know yourself.

And maybe he never met my grandmother and doesn't have a clue what kind of granola I eat with lowfat vanilla yogurt, but dammit if he hasn't had a thread connected to the big picture all along. Five years ago we met at a crowded intersection. He was whistling and smiling and I didn't know what to do with my hands. Why aren't you crossing the street? he asked. I'm afraid of getting hit by cars, I said, a bird might shit on my head and what if I don't recognize the grass or the sounds or the glints of light on the other side.

C'mon, it's easy, he said and crossed with a confident gait, a wink, a snap bouncing off the end of his long fingers. I waited another second before following, everything new and breathless and possible waiting for me on the other side.

Now, I'm at another intersection, but this time it's a cliff atop a deep sea filled with jagged rocks and circling sharks. For months I have been pacing the precipice, hearing the sirens call. I don't want to drown, I'm scared of getting my dress wet, of being eaten alive, of falling for some horrid merman and never regaining my rightful place on solid ground. As I try to think of what will happen if I lose my balance, or jump or if I am pushed, I realize that I may not know how to fly, but I already know how to swim.

Bad Valley Takes the Night Bus.

She’s got generic cigarettes, a Zippo, gummy bears and an illegible map streaked with blood and beer stuffed in the side of her bra. She has taken other forms of public transportation including hitchhiking and moustache rides, but now she’s on the night bus without a clue as to where it- or she- is going. She finds the middle of the night the best time to listen to institutional escapees talk about their lives and the ghosts only they can see flying past the tinted windows. Bad Valley listens as the lady with the wig takes out her teeth and tries to offer her $100. Bad Valley doesn’t take it, but she lets the woman give it away to the man in the back, huffing down a beer underneath the brim of his baseball cap.

Bad Valley pretends to listen while she daydreams. It is Bad Valley’s Jesus Year and she is full of sin. She is full of hellfire and damnation and those little guys in Purgatory that wait around with hooks and crooks to drag good people down. Bad Valley rides the tilt-a-whirl backwards. She knows where and why and how the grass is greener and yet still she steadfastly refuses to plant or tend to anything.

She closes her eyes, nodding occasionally and lets the wig lady buy her a cheeseburger and a coke. And a coffee. And a beer. Bad Valley is always drinking something and usually way too much of it. She is ready to sleep on someone else’s floor. She is ready to abandon someone else’s dishes and someone else’s laundry on someone else’s dime. She wants to listen to scratchy records and smoke unfiltered cigarettes indoors all day, without a clue as to whether or not the sun is out. Bad Valley doesn’t want to call home or check in. Bad Valley doesn’t carry the proper documents for travel. She shreds her parking tickets, her state taxes and any evidence of having being insured, past, present and future. Her license and her visa are expired. She only keeps them around for their pictures, which are pretty and dark and difficult to discern.

When it stops, Bad Valley has no desire to get off the bus and doesn’t have enough money for another ticket so she cries until the driver takes pity on her and takes her where she thinks she wants to go. Bad Valley arrives unannounced, unaccounted for and unexpected. Even so, Bad Valley is welcome where she is found.

Bad Valley doesn’t care what Good Valley thinks. Bad Valley doesn’t have a bedtime, watches the sun rise, makes the sunset hazier with smoke from her swishers sweet cigar. Bad Valley doesn’t teach, she takes. She doesn’t’ listen, she tells. She doesn’t wake them up when she gets to where she is going. She crawls into their bed, puts her arms around their waist and whispers to them until she is the most important thing they have ever dared to dream.

Some Jobs Are Like Bad Boyfriends

Some jobs are like bad boyfriends: they never truly go away. Or they go away at the wrong time and then pounce when you're weak. Having been almost entirely dumped by my job last September and then attempting to cut the remaining strings in January, somehow I managed to find myself in the office working for the better part of the day. And loving it. Missing it. Remembering only the good times. The complimentary cupcakes. The witty office banter. The escape from the feverish den of my home currently housing a sick child, a semi-employed man that loves to talk about wire and H-cats (am I making that up? I'm sure I am) in a space roughly equivalent to a rich man's closet. I love my house, don't get me wrong, especially on the days I think we're gonna lose it. But today, it was nice to be gone.

Packing up my massive stack of papers from the ice-hockey table (I don't exactly have a desk anymore) I felt the satisfaction of accomplishment. A job well done- or at least done. I didn't wonder if I should continue to revise (OK, I did) or if I should start a whole new draft or chuck the whole damn thing in the already overflowing recycle bin. There was a start line and a finish line and I made it from one to the other, from A to B-- zip zip zap. Not so easily done in "real life" anymore.

A decade ago, in my first months home off of the boat in Alaska I felt utterly lost, directionless and adrift. I felt that I had to have a job to stand and be counted but during that time I wasn't exactly employable. My mother, the artist, pointed to the cat lounging luxuriously on the bed by my side. "Does Felicia have a job?" she asked. "No," I said. "And she's perfect just the way she is," said my mother.

And I got it. It wasn’t about numbers or things but the quality of my ability to simply be. Something I’m still not good at. The minute I start to meditate I think of an email that must be sent IMMEDIATELY. If I don’t have specific plans, I’m restless, moody, pacing, trying to stalk down everything contained within the moment that I should be seizing. When I sit down to write, I wish I were writing something different. It’s why I couldn’t stand to live in New York. The constant influx of choices at every moment. Each street, each alley, each job, each bad boyfriend calling my name.

creative house cleaning

When I was growing up my mom attached a pin to her dresser mirror that said "Fuck the Real World- I'm an Artist." As the dining room table was often piled high with inedible objects, we ate dinner on a picnic blanket in the middle of the living room. On one memorable occasion, a friend and I found potatoes in the washing machine. I had no idea what an iron was. Our house was characterized by dirt, oil pastels, clutter, clay, those colorful crystals that you can use to make feaux-stained glass window hangings, tissue paper, tye dies, paint brushes, cats, cat hair and random surplus natural and manmade materials that might at some point come in handy for creating something. A lampshade collage! A little clay animal friend to hang out in a potted plant! One of our cats often slept in the dish drying rack because it was pretty much guaranteed to be dish-free. We didn't have a TV until I turned 13 (and then my mom insisted it be in my room and not in her WAY) so we made shit. And we didn't clean. At least I have no memories of cleaning. My first 3 jobs after graduating from liberal arts school were in the house keeping and food service industries. It was while scrubbing out cabins on a dude ranch in Colorado, hotel rooms in Arkansas and heads on a cruise ship in Alaska that I learned how to use a mop, a vacuum cleaner and to tell the difference between Windex and 409. This was a skill set previously unknown to me and I tried it on like an ill-fitting wig. I was fast but never good. I simply couldn't make myself care, the way that people who grew up cleaning every Saturday did.

For the last 10 years I have lived in the house that I grew up in. The feelings surrounding this are as complex as the sedimentary layers of dust and dead skin and karma that have built up like invisible earth. I light sage, I put mirrors behind the toilet and baguas in the corners but the sacred hold of the past and dead things and my childhood burns stronger. I woke up this morning with every intention of setting things straight. Putting this here and that there. Sorting, folding, sifting, washing, scrubbing, arranging. But I simply cannot muster up the right kind of energy to make it happen. Over animal crackers and steak this morning, I told my husband I was too busy anymore to attend to domestic duties and asked if we could please hire a maid.

Sure, he said. How should we pay for it? Well, you could sleep with her in exchange for laundry, I suggested. OK, he said. But in that case, I get to pick who we hire. And you're in charge of finding lawn care.

In a Continuum Class that I took a few months ago, one of the other participants- the wife of the leader in fact, said that before Continuum, she had felt like a walking head that happened to be attached to a body. She felt disconnected from her toes and her fingers and her legs and arms and the cellular makeup of her skin and blood and bones. As it so happens, I feel exactly that way myself. I put so much credence in words and thoughts and phrases and paper and computer screens and hard copies and leaflets and magazines and newspapers and blogs and facebook and deadlines and short story submissions and new releases and press releases and poetry and emails and snail mails and bills and documents and my living will and our tax return and cut-off notices and receipts and sticky notes and scratch pads and cookbooks and recipes and jokes and photographs and jpegs and calendars and planners and theatre tickets and parking tickets and the million and one works of art by my son and the million and one to-do-lists and floor plans of my husband and our combined and individual legacies of paper in paragraphs and sentences and phrases, it all gets in my head and I forget that I have anything attached to those rapidly moving fingers. Cuticles. Knuckles. Arms. Ankles. Toes. Ridges. Miles and miles of skin and organ and breathing masses of blood all contained within myself. So last night, I got in bed with my book and then I got back out and put the book down on the floor. I lit a candle and stood in the darkened room lit by a flicker. I touched my toes. I pulled my arms behind my back and over my head. I sat on the floor and arched my neck to the ceiling and saw the words that I've been eating for breakfast, lunch and dinner digested into the moving shadow of my body. Everything creaked like an unoiled machine. It's uncomfortable to remember bones but worse to forget. Everything I have ever done and known and lost is still contained within the memory of my flesh and most days it's easier to throw clothes over top of it all and bury my head in a book. But that can't work forever. Two days ago, at the edge of the river, I watched my son and his friends squish their feet and hands in the mud, smearing it up and down their legs and arms for the sheer pleasure- it seemed- of sensation and cool, wet earth- what grown ups pay hundreds of dollars for at the salon and massage parlor- something solid and mostly alive in full contact with their skin. I kept my shoes on and my pant legs rolled down, hesitant to engage in the elements below my neck. But I wondered abstractly- through talking and safety and admonishments- what I might be starving for in this anorexic relationship with the elements. Because truly, I am more ruled by the insistent coming and going of winter and summer and the terrible seduction of spring and fall than I'd ever care to admit. Even if I slam my door shut and black out my windows my natural rhythms are still magnetically yanked about by the moon. I can forget or ignore or deny or wrap my body in cloth like a mummy but it still will answer the call of its true master. And it ain't this screen.

reality check

As somebody supposedly versed and submerged in the literary world, I am often horrified by how unwell read I actually am. There are an unreasonable amount of books out there!! And there are more being published every freakin' moment! Not to mention periodicals of the daily, weekly, monthly and annual variety, blogs, emails, snail mails, daily meditations, horoscopes, facebook updates AND a garden variety of other crazies vying for face time, like WORK and FAMILY.

So. I admit it. I have never read Moby Dick. I haven't read the collected works of Jane Austen. I only made it through .094 of chapter one of Gravity's Rainbow.

And I had only read one short story by Richard Bausch when I interviewed him by phone two days ago from my home office. I hate interviewing someone with whose work I am only marginally familiar. (with whom's work I am only marginally familiar? whose work with which I am only marginally...?? PLEASE, if you have an idea about how to make this sentence grammatically correct, I would LOVE to hear it!) And Richard Bausch has written about 100 books. And at least 1000 short stories. The one I read was compelling, excellent, enviable. And he's very distinguished and important looking.

But I was on a deadline. And I had to make the call. I felt the entire time like a complete, bumbling idiot. "So, uh, you've, uh, written, a lot of ummm, books, right?" is, I, believe how I started the conversation. And in my mind, it only got worse from there. Soon, I gave up all hope of sounding intelligent and just prayed that he would politely overlook my idiocy and say something quotable. He did. He said a lot of great stuff and thankfully I have an article to prove it. But the thing that really floored me was what he said at the end. "Are you a fiction writer, too?" he asked. "Ummm, yeah," I said. "I could tell," he said. "You're questions were more intelligent than most."Oh, geez, uh, thanks," I said. I told him how honored I was to be able to interview him and when I got off the phone I did a big, stupid dance around my house. I'm not sure if our conversation proved that most people who have interviewed Richard Baush shouldn't have been let off the farm or if, maybe, possibly, I am too hard on myself and have a slightly skewed perception of reality. Or maybe, it's a lucky combination of both.

letting the baby breathe

I created this blog for the express purpose of writing more about the authors I have had the honor or horror to interview and the books I have slogged through, sped through or otherwise read as the Book Editor for Style Weekly. The spillover. The chafe. The extra thoughts that didn't succinctly squeeze into my modest column. But in the interim, I have developed my alter ego- Bad Valley, shared about my son's desire to grow a vegetable garden and publicly wrestled with my angst over losing my job, the family health insurance and a slew of the other regular, stable factors that this american life seems to require.

Two months ago I resigned from my position as book editor. Having told my mother at the age of 7 that I wanted to grow up to be a famous reader, it was like a real life fairytale when the then arts and culture editor- who had entirely rewritten my first article- offered me the position of book editor. It was my DREAM job- right down to having no idea what the hell I was doing and making a whopping $50 per month. I could read the day away and claim- truthfully- that I was working. I got LOADS of FREE books and the opportunity to talk to the masterminds that wrote them. I got to run around town picking up books and ferrying them between reviewers, the art director and myself and then back again, just to get a good shot of the cover. I got to ask myself life's most important questions: Should I judge this book by its cover? Would the hero want to marry me? Am I prettier than the heroine? Does laying it this way make my coffee table appear more clean?

No, seriously. I was like a kid in a candy store. All the books I could eat. But then something started to happen. To my blood/reading saturation level, I suppose. Instead of being inspired as I was for the first 4 years, I began to be depressed. If there are this many good books already out there, why the hell should I bother with mine? This book is a perfect 10 and in comparison, mine is a negative 3. I started to judge my rough draft against the edited, polished and published books I was reviewing. I couldn't take it bird by bird because I was watching all these bald eagles soar from their nests. Or some ornithological writing analogy like that. In short, I ran my own writing into a big, fat ditch and let it rot there. I burrowed deep into my left, critical, analytical brain and stood by as it beat my right brain's tender shoots to a bloody pulp. So. I quit.

Now I'm trying to let my preemie newborn draft breathe. I'm trying to make my reviewer/judging/critical brain take a nap and quit being so cranky. I'm trying to let go of word counts and deadlines and good vs. bad and other polarizing, critical brain desegmentations like that. And since I have, my little draft has taken its first baby step. Yes, it fell on its face and stubbed its toe, but it's getting up to try again. And this time I promise not to yell and scream and run away just as its learning how to walk.

(Shhhhhh! During nap time I might write an article. Or two.)

Gainful Unemployment

I have never had a hard time finding a job.

Of course, the kinds of jobs I've wanted have included mopping the floor at Waffle House and scrubbing other people's toilets, but still. Work has always materialized when I needed it. I have never, ever found a job through the classifieds, but just peeking makes me want to fling myself from the closest window. Because my BA in Creative Writing does not qualify me to run a group home or sell insurance or assist in brain surgery. Nor do I want to be an office administrator for the Marijuana Policy Project (this job can be YOURS if you check Craig's List today) or supervise 37 kids for $8 an hour. No, my degree qualifies me for those really special jobs that usually don't get printed in the paper. Stained Glass Maker's Assistant. Cruise ship stewardess. Dude Ranch Cabin Girl. Freelance Writer.

When I got laid off from my desk job at the local alternative weekly last September I felt- in a sad way- part of an historic movement. The downsizing of print media. The big recession of late 0-8. The first job I was ever asked to leave. Historic, yes. Convenient, no.

Because answering phones and greeting people for 20 hours a week provided me with 2 invaluable necessities. a) Health Insurance and b) the unambiguous knowledge that I had "a job." If someone said "do you have a job?" I could answer them without having to think about it. If there was an argument in my home about who was actually employed, I was above reproach. Now- even though I'm writing articles here and there and teaching an odd ball assortment of classes- I don't always know the answer to any of those questions.

Do I work? Yes. I wash the laundry and then throw it in the general direction of the dresser. I scrub the dishes. I pack my son's snack and take him to school. Then I interview dominatrixes and try to come up with witty introductory sentences to reviews of their memoirs. I check facebook and debate about what, who and when to update my status. Then I run out and teach a class across town for an hour and a half, come back, cook dinner, decide not to vacuum and put my child to bed. Does that count? Yes. But is it succinct? No. And does it provide health insurance. Hell no.

Which brings me and every other writer/artist/musician/creative type I know to the same harrowing debate. Is it worth it to risk gazillions of dollars of unpaid hospital bills in order to stay home and fulfill our life's desire by creating art? After a moment of tortured reflection, I think yes. But is it worth it to put my child at risk to stay home and create my art? This one isn't so easy. This is the question that has tortured me for the weeks and months since I have been laid off. Because at the same time that the market is saturated with thousands of people looking for work, I have been picky. I have wanted health insurance, but I haven't wanted it at the risk of a mind numbing, soul eating, blood sucking vacuous 40+ hour a week job copy writing credit card ads. (Anyone out there who does this, hats off! I admire you for your stamina and power of will! REALLY!) But the very thought makes my insides shudder and wilt. I'd rather wear rags and learn how to plant carrots in a front yard victory garden than succumb to the likes of that.

So, today, as I apply for state funded health insurance for my son, finish my article about the teenage dominatrix and revise (again) chapter 2 of my book, I will for now, quiet the inner beast that has raged with doubt and confusion. We might not be able to go out to dinner, but tonight I will revel in the luxury of staying home and eating my words.

back again

I want to thank everyone who bore with me through the throes of my "existential crisis" starting first and foremost with my husband. It's not exactly a compliment to learn that your spouse has been reevaluating every aspect of their life when you are one of the leading componants. So honey, sorry. I wouldn't trade you or the life we've fashioned together/stumbled upon/ earned thru blood sweat and tears for all the nightlife in NYC. Not in a million years. Just for a few days I forgot one thing. And that thing is gratitude. The cup half full, the miracle that my life ACTUALLY is when I stop and remember, the beauty of the details rather than the broad strokes of life. A spiritual mentor reminds me that our success is not measured by the mountain we climb but the pit we climb out of. And I'd dug myself a pretty deep pit back in the day. Some days I'm still digging.



Because the truth is I have a bevy of amazing, hilarious and good looking friends. I have the most beautiful son on the planet who says funny and entertaining things (that's Venus not Penis!!!) and then hugs me and says "I love you Mommy!" Today he even said, "Mommy, thank you for cleaning my room." Amazing! He attends a wonderful community based preschool that provides for a lot of interesting conversations and opportunities to participate in my son's education.



I have a husband who loves me when I'm wearing sweatpants.



It's easy to complain about living across the street from my mom and turn a blind eye to the baked chickens, raw carrot juice and ginormous emounts of babysitting that most neighbors don't provide.



And when I found out the other day that I didn't get the full time job I'd applied for, I rededicated myself to my book which has been simmering on the back burner for way too long.

In fact, I've begun working on it everyday and I'm beginning to remember who the hell I am and why I bother. Which I'd started to forget in the midst of the grind, the numbers and trying to make all that outside chaos add up. Because out there, the world might never make complete and perfect sense. But here on the inside, it's time to start writing.

Existential Crisises "R" Us (or Stephenie, can I please steal your brilliant title for this chapter of my life?)

I'm having an existential crisis. By this I mean to say that I am not having a real crisis but one that is fabricated in my head. My family is healthy. We have food to eat. I am *sort of* employed. The credit card companies that call the phone do not ring the door. I do not live in a war zone or have AIDS or cancer and my family gets along in a better than average sort of way. None of us face jail time, impeachment or deportation. I do not have a foot growing out of my head.

But I'm still incredibly freaked out by the course of my life and the dreaded worry that I will not live up to my potential. I might die without ever getting on Oprah's book club.

I'm 33. I live in the house I grew up in. In the suburbs. I like to say it's not, but it is. My mom lives across the street. I've lived here for the last 10 years. It was supposed to be a short term layover between travels. But it wasn't. It was permanent. At least a decade's worth of permanent. I got a dog, a marriage, a mortgage and a son, in that order. Technically we're in a good school district and we have a fenced in back yard, all features which are supposed to make me not want to rent a one bedroom apartment by myself somewhere in a big city far away. I feel like the Paul Simon lyric: "I'm a wanderer. Not really, I've always lived in my parent's house...."

On a good day I remember that I am the luckiest woman alive to have a devoted husband and a healthy son, but on a bad day I feel like a choose your own adventure book that somebody forgot to keep writing. The first dozen chapters are action packed cliffhangers and then you reach this long section in the middle that just kind of goes on and on and on and on and on. There are trips to the dentist and the doctors and to grandma's house and the food court at the mall and the park and the playground and maybe to chuckecheese or the children's museum but the map is succinct and the paths are well worn. Grooved. Deep.


Enter Josh.

I am involved with a local nonprofit that brings people to Richmond to talk about the business and craft of writing. This week I had the good fortune to fly in Josh- a friend from my freshman year college writing workshop who has gone on to become a senior fiction editor at Viking Penguin. All told his trip was a less than 24 hour whirlwind of catching up on the last 15 years, eating over-priced fish, speaking brilliantly to the public about the future of fiction (him), trying to put out event related fires (me) and pretending, as a lifelong Richmonder, to be knowledgable about the history of Richmond while being sure to show off only the beautiful stuff, not the Walmarts and Burger Kings- on my side of town.


While, perhaps what I should be blogging about is all the briliant, witty and insightful stuff he said, what interested me far more was the alchemic reaction that occured within me as a result of his trip. In college, we went out once but he just wasn't cool enough for me to date. And by "cool" I mean he wasn't a pretentious, conceited budding alchoholic womanizer and hence not "fun" enough for me. In fact, I mentioned to him the "boy" I was obsessed with for the entire length of my college career and he said "You mean ---? That arrogant prick?" Yes! That's exactly who I mean! And I felt really sad for my 18 year old self who went for the mean guy who treated me like trash instead of the nice, earnest, sincere, friendly young man who treated me like an equal. Do I think my tale of woe is unusal? Not in the slightest. I think it's one of the most common blues a woman can sing. I think it's the other half of the Cinderella fairytale. I think it's a cliche. Which cheers and depresses me, both.

Did I accidentally get stuck in my hometown or is this a deliberate, educated, sophisticated choice that I continue to make everyday?

Have I sacrificed some sort of brilliant, world-changing career by getting married at 25 and becoming a mother four years later? Can I really blame my lack of worldly success on the fact that I have a child and live in the suburbs? (Hardly, but wouldn't that be an easy out?)

Do the soul searing effects of my bottom feeder self-esteem in college continue to effect the choices I make today?

I wish I could sum up this blog entry with a snappy come back to gratitude or a self-searching realization that makes it all worth it in the end. But I can't do that. Yet. I'm still a suburban mom struggling to come to terms with the choices I've made. And like another fabled cliche, if I went back through the chapters of my life knowing what I know now, would I make different choices?

I don't know. I haven't finished reading yet.

Bad Valley Lives

Bad Valley has been very, very bad.
She has refused to keep you in the loop.

She lives in squalor, entertaining roches and the friends and families of roches. She drinks instant coffee, boiled like black soup from the microwave. She never grinds her own beans. She crunches raw ramen noodles, twinkies and red hot cheetos straight from their wrappers.

Bad Valley lives by caller id, doesn't answer the phone or return emails. Her inbox is full, you can't leave a message. She is too busy watching daytime tv and pasting cutouts of her head onto the pages of US magazine. Bad Valley eats apple pie for breakfast and drives even if she's just going around the corner and there are sidewalks.

Bad Valley has a perfectly good bike rusting in the shed.
Bad Valley doesn't recycle. She never takes the trash out on the right day. When she does take the trash out, she doesn't move the can out of sight after it's been emptied. She rakes her leaves but lets them rot in putrid little piles in the front yard, never bagging them, blowing them or calling the county to haul them away. Bad Valley forgets to eat the vegetables she buys and they go bad at the bottom of the refrigerator. Instead of washing her sheets she sprays Febreeze. She doesn't price check either. She just buys the first thing that catches her fancy. She throws away coupons and doesn't record her receipts. She has no idea what's in the bank, what's coming down the pike or how to reconcile her checkbook with a hill of beans. Bad Valley doesn't brush her teeth very often.

Bad Valley stuffs her clothes in her drawers rather than folding them neatly. Bad Valley doesn't know what's at the bottom of her closet, hasn't organized it in years, hopes that it will somehow-magically- take care of itself.